And when it comes time to transcribe those notes, you’ll be glad you did. Your job is to ingrain this solo before you even think about figuring out the notes.Ĭlose your eyes and listen to that solo until you have it memorized. Right now you probably have a solo that you want to transcribe. One of the reasons so many players hit a wall when they try to learn a solo is that they jump right in and start guessing at the notes without spending the time to ingrain it in their ear. However, we’re not talking about the half-paying attention and driving in your car type of listening, we mean deep and focused listening. The transcription process starts before you even touch your instrument. #2) Listen, listen again…and then listen some more So what are you going to learn from your next solo? If you’re serious about improving, you need to transcribe with a purpose. You know the areas of your playing that need the most work.ĭon’t just transcribe because everyone is telling you to, find out what you want to improve in your playing before you begin. You’re building the foundation for your sound, time, articulation, and learning language over key chords. However the more I dug into it, I learned that transcribing was about much more than stealing the notes. Yet that never happened, because I missed the reason that I was transcribing solos in the first place. That something would magically click and I would suddenly know the secrets to jazz improvisation. I used to think that by figuring out the notes to one solo I would immediately get better. “What am I going to get out of the process of transcribing solos?” You’ve heard all the hubbub about transcribing, but before you devote valuable time to transcribing or lock yourself for hours in a practice room, you should ask yourself one question: What is the purpose of transcribing jazz solos and why the heck is everybody talking about it? Here are 10 killer tips for transcribing jazz solos that I wish I had known all along… #1) Know why you are transcribing If you’ve spent any time on JazzAdvice you know that learning solos from recordings is necessary to improve and that transcribing involves more than writing the notes down…īut what most players don’t realize is that there are some key skills that will make this entire process much easier and much faster. Then a month later, discouraged with the way I was improvising, would try again with a new solo. I would try to start learning a solo, spend hours struggling with a few notes and give up in despair. And this is exactly how I felt when I was beginning to learn how to improvise. Many hopeful players attempt to learn solos from recordings, but often give up in frustration. But here’s the catch: it’s trickier than it sounds, especially if you’re just getting started. Includes solos from: Later, Black Codes, Delfeayo’s Dilemma, The Majesty of the Blues, Levee Low Moan, Modern Vistas, Holy Ghost, You Don’t Hear No Drums, Fire in the Night, Union Pacific Big Boy, Loose Duck, Big Fat Hen, Free to Be, Doin’ (Y)our Thing, A Train, A Banjo and a Chicken Wing.Transcribing jazz solos is an essential part of learning to improvise. The download is in PDF format allowing you to print the music out at your leisure, or just view the eBook on your computer or mobile device (such as the iPad or Kindle). Once you have created an account and completed your purchase, you will be able to download your purchase securely, now and in the future. Spanning nearly 30 years, this eBook is a comprehensive study of the evolution of Wynton’s style as a soloist.įrom his debut recording a leader through his latest quintet release, our intent was to capture Wynton’s improvisational skills against a myriad of different backdrops fast and slow tempos, different grooves and time signatures and, of course, the blues. 15 Wynton Marsalis Solo Transcriptions for TrumpetĬover image: 15 Wynton Marsalis Solo Transcriptions for Trumpet
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